Way to the Pretty // Elinor Rowlands and Gemma Abbott
Photograph by Nine Kopfer
This is an old article published on the Camden People’s Theatre website.
Republished here because it belongs here.
Way to the Pretty by Elinor Rowlands
Way to the Pretty is a piece of verbatim theatre that sweeps into song and ends with poetry.
Rowlands can never do anything simply. This will be her debut theatre directing piece, she usually directs experimental films and creates poetry soundscapes, one of which will be performed at the end of the piece.
This will be the first time for her to bring work to a live audience.
Trying out her ideas at Camden People’s Theatre’s feminist festival is a way for her to see how the audience reacts to the bombardment of information she processes on a daily basis.
A Disabled artist, Rowlands has never shied away from being open about her impairments, and instead of creating to the mainstream, has used her impairments as a tool in which to create work.
Photograph by Luana Martignon of Tim Woods and Elinor Rowlands
Her piece is from a transcript from a rape case between barrister and witness*. (*A rape victim is known as a ‘Witness’ in court.)
However, Rowlands didn’t want to focus too much on the harrowing parts of the transcript and chose only pieces which highlighted the flaws in our egalitarian ideals by playing with how gender is approached in court.
She has also been shortlisted as an Emerging Artist to make the full application for funding to Unlimited for her piece Survivor which grew from Way to the Pretty. The latter deals with how women are torn to shreds in court whilst Survivor deals with the aftermath of both the trauma and the judicial abuse they receive in court – what happens when disabled female survivors have to knuckle on against the tide of life.
(Update 2020 - I didn’t get chosen - but hey, my life led me to developing Magical Women! )
But back to Way to the Pretty – Through verbatim theatre, tap dancing, film, sound, music, song and poetry, we can grasp onto the ridiculousness that is society’s ingrained notion to dismiss and not believe women who survive violent crimes.
This piece calls for women to be heard, listened to, supported and most of all be believed when she comes forward about a crime committed against her.
The way women are treated in court means women are still being cross examined as if they have encouraged the crime to be committed to themselves and this needs to end.
When will we start believing women instead of demonising them?
Response from Gemma Abbott, the actress in Way to the Pretty on what it was like working on this piece:
Photograph of Gemma by Luana Martignon
