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Artist of the Season Summer

 

Magical Women are excited to introduce to you the artist Louise Amelia Phelps whose precious and sacred skills spin threads of joy from fauna & flora to become works of art, that unravel warmth and nurture for all.

Spinning Colours of Flora

 
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There is so much beauty and magic
in the processes of spinning fibre to yarn.
These symbols and metaphors run deep
in the psyche of our human hood.

The Craft Life of Louise Amelia Phelps

Louise with her creations, photograph by Guy Latham.

Louise with her creations, photograph by Guy Latham.

I have never had a studio,

I have always created wherever I am with whatever I have to hand.

I spent most of 10 years living transiently spending months at a time

in Sinai

living simply

in the desert

and in Cairo and in the USA

exhibiting my artwork and poetry.


Louise’s threads in a basket

Louise’s threads in a basket

 

I wonder if this has made me work

to

a very small scale,

work that can be packed, tucked and completed

sketchbook size.


I make tiny palm size woven bowls

with handspun and plant dyed yarns,

each one has a story to tell of the trees, flowers and leaves that create it.


Tiny palm size woven bowls with handspun and plant dyed yarns created by Phelps.

Tiny palm size woven bowls with handspun and plant dyed yarns created by Phelps.

I

do

intricate

lace-like bead work

around the tops in shining patterns

that I saw glinting

on the Bedouin women’s night black veils.


Everything is small scale

and made

with dedication,

each one is about 20 hours in the making. 


My home is a living space and studio combined:  

a yarn gallery hangs along the wall

and my spinning wheels rest in front of the fire

like family pets.

A yarn gallery hangs along the wall and Phelps’ spinning wheels rest in front of the fire.

A yarn gallery hangs along the wall and Phelps’ spinning wheels rest in front of the fire.


I need to live among my materials.


In the back garden

there are pans of soaking plant material and petals

steeping in jars of ruby liquid

in the front.


A pan situated on the ground in the garden of soaking plant material. Photograph by Guy Latham.

A pan situated on the ground in the garden of soaking plant material. Photograph by Guy Latham.

The hanging skeins of drying yarn

are a beautiful sight

and

this love of life, process and materials infuse my work. 

threads

Things get busy in the spring and summer so many plants and leaves to dye with, you have to be ready.

For me

using plants to colour yarn is instantly precise

to the time of season.


Dying threads in fruit and natural treasures.  Threads are vibrant jewelled violets and purples, pinks and mauves.

Dying threads in fruit and natural treasures. Threads are vibrant jewelled violets and purples, pinks and mauves.

Natural treasures are everywhere.

This is a much longer discussion, but in short,

conscious reciprocity with ‘nature’

within craft processes

is

a definite old/new path.

We must remember that we are not working with ‘materials’ but threads of life that do not end.

We must remember
that
we are not working
with ‘materials’
but
threads of life that do not
end.
Louise’s hands hold out out the threads as if to dry them. Ivy leaves are spread out on the ground beneath the rolls of yarn.

Louise’s hands hold out out the threads as if to dry them. Ivy leaves are spread out on the ground beneath the rolls of yarn.

 

Everything makes a difference to the final colour,

spring or summer leaves,

fresh or dried,

time soaking,

hot or cool dyebath,

fibre,

water quality.

I work intuitively with these factors.  

As long as the fibre is prepared very well and scoured (washed) and mordanted properly then there is room to experiment confidently. 

Yarn nestles itself amongst ivy on stone ground.

Yarn nestles itself amongst ivy on stone ground.

 

I am a Sacred Land Walker (which is another story to tell).

After a long training

I am beginning to teach

and this informs

how I gather plants and natural materials.

I rarely pick anything,

there are so many windfalls

to look out for

and other opportunities,

my eyes are always open.

 
The mid of Phelps’ torso as she stands clutching ivy leaves that dangle from her hands.

The mid of Phelps’ torso as she stands clutching ivy leaves that dangle from her hands.

There is so much

beauty and magic

in the process of fibre to yarn

and

these symbols and metaphors

run deep

in the psyche

of our human hood.

Phelps in the background using her spinning wheel.

Phelps in the background using her spinning wheel.

There are so many colours contained within what surrounds us.

It is the alchemical journey of light

into matter and out again

into liquid colour

that I love,

infusing

a


spectrum of memory,

growth and season into the material fibres of life.

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Words and Images by Louise Amelia Phelps for Magical Women

Curated by Elinor Rowlands for Magical Women

Photography by Guy Latham

 

In case you missed it - you’re able to journey with the artist through audio. For those who require access needs please see text above.

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Louise Amelia Phelps can be found on Instagram and on Facebook.

We shall be inviting her to contribute a few other art and words over the coming Season so watch this Space!

 

If you enjoyed this article and are able to donate the cost of a coffee or tea to Magical Women we warmly invite you a suggested donation of £3. Magical Women create empowering spaces for neurodivergent artists to make art, come together and share their art in relaxed spaces. Magical Women is led by neurodivergent female artists for neurodivergent artists.

 
 

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